You can buy the world just for joy. Flick the switch and find the pain will disappear. You drift in and out lock jaw with nervous shakes. You claim that you've understood it all.
You said you're just one in the crowd. But your laughter is way too loud. You fill the darkest room with light. . Your life is complicated too. But you know just what to do.
I'm hanging out with me. And you're a vacant chair. A chosen compromise. This space we rarely share. . And if you lived here you'd be home now. . So what you giving' up for me?.
Girls say, boys say. . I'm the kind of girl that hangs with the guys. Like a fly on the wall with my secret eyes. Takin' it in, try to be feminine. With my make-up bag watching all the sin.
Hey you with the wedding dress on. Made of white chiffon blowing in the wind. Hey you with the dreams in your head. You've been so mislead by your heart's pull.
The waves keep on crashing on me for some reason. But your love keeps on coming like a thunderbolt. Come here a little closer. 'Cause I wanna see you, baby, real close up.
Your love is like a tidal wave, spinning over my head. Drownin' me in your promises, better left unsaid. You're the right kind of sinner, to release my inner fantasy.
I'm like a trend. I'm back and forth. Torture myself. Like a modern lady Jane. Not satisfied. Not good enough. I want it all. In an old familiar way. I'm out of time.
(J. Strummer, M. Jones from The Clash). from Burning London - A Clash Tribute. Gwen Stefani duets with Billy Idol, also played live on 1997 tour. . (Billy) Kill that drummer.
You had the best. But you gave her up. 'Cause dependency might interrupt. Idealistic will so hard to please. Put your indecisive mind at ease. You broke the set.
Hello Mary Lou, good-bye heart. Sweet Mary Lou, I'm so in love with you. Well I knew Mary Lou, we'd never part. So hello Mary Lou, good-bye heart. . You passed me by one sunny day.
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HUTCHINSON JAIL. . - written by Lee Hazlewood. - appears on NANCY SINATRA: NANCY IN LONDON (1966). - b-side of single FRIDAY'S CHILD - Reprise 0491 (1966).
You came by at two o'clock, you shoulda been by at ten. I said bye at three o'clock and I ain't coming back again. . Whoa!. How does that grab you, darlin'?.
You came by at two o'clock, you shoulda been by at ten. I said bye at three o'clock and I ain't coming back again. . Whoa!. How does that grab you, darlin'?.
How are things in California?. Oh, your letter didn't say. Now that you're in California. Are you gonna stay, are you gonna stay?. . When you left for California.
On a dark desert highway, cool wind in my hair. Warm smell of colitas rising up through the air. Up ahead in the distance I saw a shimmering light. My head grew heavy and my sight grew dim.
Hooray for Hollywood. That screwy, ballyhooed Hollywood. Where any office boy or young mechanic. Can be a panic, with just a good looking pan. And any barmaid can be a star maid.
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We are home, we are where we shall be forever.. Trust in me, for you know I won't run away.. From today, this is all that I need and all that I need to say..