As I look back, 'Receive' is one of the most complete and well-rounded songs we had. Unfortunately, we only played a handful of shows after "8th Wonder" was released, so it never became a huge concert hit that it normally would've been. The times that we were able to play it were great. I've also felt that 'Receive' is one the most representational songs for the typical "Lu" sound!.
Definitely not the usual way to start an album, but by this time we were doing things our own way, and not for booming record sales. The song was written as is (long intro and all), but the decision to put it at the beginning of the album came later. We weren't concerned. If anything, 'Rail' has a definite vibe of The Cure, one of our favorite bands growing up (except Jesse). 'Rail' still remains as one of my very favorite songs..
I see, You are merciful. I see, You are kind. I see, You are full of love. That is far beyond my mind. . I hope, for strength to stand. I hope, to be the man that I should be.
Another song that was first released on our 1992 independent album, Star-Studded-Super-Step. Definitely a concert favorite because of it's funk vibe and catchy, though simple, chorus. Over the years, having someone yell out 'Peapod' during a show was as common as someone yelling 'Freebird'. The version on Mindsize also featured an audio clip from Bob Ross, the happy painter, a tradition started with the Star-Studded cut. In fact, the name of the song came from Bob Ross' little pocket pet, Peapod the Pocket Squirrel..
Dont dream of hours gone by. Of seconds came and spent. Dont wish on distant stars. Of worlds come and went. . Oh, what do I see?. Tripping through the moments.
Arguably the most popular Lu song - at least in concert. 'My World Falls Down' was always a slight notch up in the 'distortion' department than most of our stuff, but still fit very well. The beauty of this song might lie in its aggressive nature that soon tapers off. It is at times sing-songy, but then turns to flat out screams. Come to think of it, this song is strangely complex. I doubt very much that it fits the mold for the perfect pop single, yet it works quite nicely. Some have commented that this song is, perhaps, "perfect". I don't know about that, but it's still a lot of fun to listen to and play..
As one of the last songs written for Mindsize, we chose to put it as the first song that many people would ever hear of us. It also became our very first "official" single, being packaged with Mortal's "Rift" on a 7" single. In retrospect, More was not a great first single, nor a great way to start an album. It simply did not have the 'punch' that we would've liked..
'Lie, Lie, Lie' hearkens back to those great songs of the '70's... or atleast it's supposed to. The track begins with a horrendous buzz and background noise. All just part of the special sound. We brought in Dave Sprinkle (yes, Aaron and Jesse's dad) as well as our youth pastor, Craig Finley, to sing background vocals. Lastly, we added a good 'clap' track to round it out..
There isn't much to say about this song. It seems that every album we put out had some sort of "funk" track on it, and this is probably *that* track for '8th Wonder'. I never have liked this song much, but the bridge is nice.... and it seems like it should be in some other song. I guess that's the point..
Definitely the oldest song on the album, it was originally recorded on our first album (1990), In Love With The Greenery, when we played under the name BellBangVilla. In 1989, we traveled to Germany for a mission trip with our church. On one of the areas that we drove past a few times were written the words (in spraypaint) "I Love You, All I'm Saying, Pretty Baby, La La Love You". So this song was originally called "La La Love You". We found out before our releasing album that these lyrics came from a Pixies song, which was fine with us. Unfortunately, we found out that that song was also called "La La Love You", which was not fine with us. The song name was eventually changed to just "Love You". I always hated that name. Before Mindsize was released, we changed the name of this song to "In Love With The Greenery"..
This song offended some. Not the music, of course, but the title and lyrics. The notion of "I Am No Good" is not particularly popular in a society where we are constantly told to "believe in ourselves" and to "stick up for your rights". Even among believers there can be a difficult quandry with this. The truth is, any good that is in any of us comes from Jesus Christ. Any worth that we have in this life is from Him and Him alone. That said, I personally like this song very much. It's different, that's for sure. It has light jazz overtones. The arrangement is slightly odd, but it all works. Heck, this song was even fun in concert!.
Tell me what you poot. What you poot. It's poot. I'm a little curious (too). Tell me if it's poot. If it's poot. I don't poot. I can keep a poot on basement, can? (you).
Perhaps our song with the highest "twang factor", Hope For Always was consistently a good concert song. Maybe it was the very fast tempo, the praise-ful "cry" in the lyrics, or the western theme. Who knows. This song has always been very different from other Lu songs... and that's ok..
This song is probably most notable (to me) for being very much *below* my normal singing range. The out-of-range vocals reminds me, I suppose, of 'Untitled' off of The Cure's 1989 release Disintegration, an incredible album. It works, I suppose, and that's what matters..
Darkness fell across the land, our hope fell in the sand. And there it was. Though for certain we stood still, the earth shook and spilled. Then gave it up.
The thing that sticks out about this song, of course, is the very quiet beginning until it really kicks in. A lot of fun. As was the rest of Straight Six, this song was written entirely in the studio as we spent a month writing and recording. The song is boomy, repetitive, strange and catchy. The background vocals on the chorus are strangely memorable, though not recorded particularly well -- somewhat fitting for the whole album, rough and disjointed. In the long run, 'Country' ended up being a good show song..
One of the more peculiar things we've done is in this song. We always liked the bridge of our song 'Never Said', from our 1992 release Star-Studded-Super-Step, so we decided to use it again. Really. We just placed that bridge right into the middle of this song and that was that. To makes things even stranger, we inserted the sounds of a squeaky rat toy over the top of it during mixing. After loading it up with lots of reverb and delay, it's pretty hard to tell.... but now you know. The result, of course, is a song that sounds straight out of the circus..
'Do I?' was one of the last songs written for Mindsize. About as moody and emotional as any song we've written, it was a great way to bring things down a bit in concert. Like many songs, the live version developed well beyond the album version and, in fact, we also wished we'd had those extra parts for the version on Mindsize..
Something I noticed when the day ends. The worlds still real if youre playing pretend. How did I end up in all this mess, just cashing cheques for benefits?.
Always one of our more popular songs. I suppose that is because it features our long-time friend, Jeremy Enigk, who also sings with Sunny Day Real Estate. Aaron, Nick, Jeremy and I played together early on, if you can call it playing! We had fun. Since this song was written to be a duet, we thought it would be great to sing with Jeremy again. And so we did. Jeremy changed the lyrics slightly on the bridge (artistic license, I suppose), but it came out rather well. He also dreamt up the great background vocals!.